Space-age design
Space age design, also known as atomic age design, marked an era in which the futuristic aesthetics and optimism of the 1960s and 1970s characterised the design of architecture, fashion, furniture and consumer goods. Inspired by the achievements of space travel and popular culture, this design reflected the fascination of a society on the brink of a new, exciting future.
Origins and inspiration
The launch of Sputnik in 1957 and the space travel successes that followed sparked a worldwide enthusiasm for all things space-related. This enthusiasm was reflected in the design of everyday objects, which were now inspired by the aerodynamics of rockets and the geometric shapes of satellites. The era of space-age design was characterised by round shapes, bright colours and innovative materials such as plastic and fibreglass.
Characteristics of space-age design
Futuristic shapes: Oval and spherical shapes dominated, often combined with sharp, clean lines that created a dynamic and advanced look.
New materials: The use of plastics, which are easily mouldable, allowed designers to create unconventional and innovative shapes. These materials also reflected the technological optimism of the time.
Bright and metallic colours: Silver, chrome and bright colours emphasised the high-tech look and conveyed a sense of cleanliness and modernity associated with space travel.
Influence and applications
Furniture design: Chairs and tables with curved shapes and shiny surfaces appeared alongside modular and multifunctional pieces of furniture that would not have looked out of place on board a spacecraft.
Architecture: Buildings such as the Atomium in Brussels and the Space Needle in Seattle are iconic examples of space-age architecture that epitomise the aesthetics and spirit of their time.
Consumer goods: From kitchen equipment to radios and televisions, space-age design shaped consumer goods and made the futuristic aesthetic an integral part of everyday life.
Cultural reflection
While space-age design is often celebrated for its optimistic and forward-thinking vision, it is also criticised, particularly in terms of its sustainability. The extensive use of plastics and the emphasis on stylistic innovation over practical longevity raise questions about the environmental impact and actual functionality of these design approaches.
Space-age design remains a fascinating object of study for design historians and cultural scholars as it reflects the hopes and dreams of an era when the sky was literally no limit. It shows how profoundly technological advances and cultural trends can shape the visual and material environment of a society. In its mixture of optimism and naïve worship of technology, Space Age Design offers valuable insights into the cultural psyche of the 1960s and 1970s.
